Duo Antwerp participates Keyboard Focus Session of PASIC, Inidanapolis, the biggest annual percussion festival. Check us out if you are around (Room 120)!
Repertoire:
Searching for bass clarinet and marima | Wim Henderickx
Spanish Dream for bass clarinet and marimba | Pere Sanz
www.duoantwerp.com
www.pas.org
I am thrilled to announce my US debut at The Tank, a trendy performance venue at midtown Manhattan!!
Empowered by Ilya Dynov, my best buddy and best drummer based in New York!
The summer spirit at various locations in City of Antwerp!
Mundana Antwerp Aug 2, 2o19
De Coninckplein Aug 15, 2019
Cafe Papa Jos Aug 24, 2019
Made in ESMAE
I am honored to be invitied by the percussion department of Escola superior de musica e artes do espetaculo, Porto to give a workshop on balafon and to perform compositions from project “In the Heat of the Moment”
Made in ESMAE
Balafon masterclass for undergraduate percussion students of Escola superior de musica e artes do espetaculo, Porto
Paper presentation on “Tracing traits of integration in the West African balafon”
An exciting performance on hammers!!
Teaming up with artist Arnd Christian Müller, curator Laura Scaringella and my percussion-mate Ricardo Lievano, I will give a spectacular performance of creating music with an installation of metal hammers.
Join us to explore the mesmerizing sound world!
Location and hour to be updated!
Polyphonic Performance Spaces Symposium
Venue: Tempel / Koninklijk Conservatorium Brussel
Schedule of 28 Feb: https://issuu.com/kunstenplatformb/docs/pps_day_2?e=32075860/66955378
https://www.kunstenplatformbrussel.be/en/events/polyphonic-performance-spaces-symposium
I am thrilled to perform three new compositions for Fingerprints 3, a CD recording project organized by Klara (the national radio of Belgium), Componisten Archipel Vlaanderen and Kunstenpunt.
Hydro/Scam for viola, balafon and piano | Michiel De Malsche
Lucy’s Footprints for viola, marimba and piano | Bart Van Kerchove
Them Tunes Really Don’t Come Easily for saxophone, marimba and double bass | Frank Nuyts
I have the pleasure to organize this edition of ARIA research seminar!
Time for knowledge sharing!
Invited by Caritas Bianchi College of Careers: Higher Diploma in Music Studies to give a talk on my balafon and marimba research!!
Lecture recital "In the Heat of the Moment"
Duo Antwerp
1. ClarimBass (2015) for bass clarinet and marimba
Juan Bautista Meseguer (Spain) *
2. Searching (2005) for bass clarinet and marimba
Wim Henderickx (Belgium)
“Searching” voor basklarinet en marimba (2005) werd oorspronkelijk geschreven voor altviool en marimba in 1986.
Het werk bestaat uit vijf contrasterende delen, waarbij het basismateriaal bestaat uit het symmetrisch tegenover elkaar plaatsen van intervallen en akkoorden. Vooral het spontane ‘zoeken’ van een jong componist valt op tijdens het beluisteren van dit werk.
3. Wind Across Mountains (1992) for marimba solo
Keiko Abe (Japan)
An emotional, lyrical composition that describes the beautiful nature of Japan, a classical marimba work written by marimba pioneer Keiko Abe.
4. Voltage – (2- Tango, 3- Tambourin) (2013) for bass clarinet solo
Pierre Max Dubois (France)
5. Enyato IV (1995) for bass clarinet and percussion
Ross Edwards (Australia)
Enyato IV is in three short movements: two radiant dances each marked Giocoso (playful) framing an introspective recitative (Profondo e misterioso). The generic title Enyato is extracted from Edwards’ maninya text, an arbitrary nonsense poem dating from 1981, which has had a formative influence on much of his music. Through their musical associations, the “words” maninya and enyato have acquired the meanings dance-chant and contrast, respectively.
Enyato IV was commissioned by Eva Griffith in memory of Heinz Harant, written for Duo Contemporain (Henri Bok/bass clarinet and Miguel Bernat/percussion) for their 1995 tour in Australia. The composer is also well-known in the marimba world with his solo work “Marimba Dances” (1982).
6. (World premiere on 9th August 2018) for bass clarinet and marimba
Chris Hung (Hong Kong) *
The work is inspired by the spectacular Oriental-Western culture of Hong Kong.
7. Duende (2015) for bass clarinet and marimba
Eduardo Nogueroles (Spain) *
8. Mixik Balamil (2014) for bass clarinet and marimba
Eva Lopszyc (Argentina)
Program
Sound of Silence for marimba and motion (2018, world premiere) | Chan Ming Chi
Xylophonie I (1983) | Klarenz Barlow
Inner Sight Etudes (2015) (excerpts) | Cornelia Zambila
Voice of Matsuri Drums (1992) | Keiko Abe
Sound exploration jam with artist Lin Gerritse
23 May 2018 and 26 May 2018
Above and Under Art Festival, Antwerp Art Weekend
Proud to join the interesting ONNA project as solo marimbist, together with Taiko, shakuhachi, mezzo-soprano and Chinese drums!
Proud to join the interesting ONNA project as solo marimbist, together with Taiko, shakuhachi, mezzo-soprano and Chinese drums!
Proud to join the interesting ONNA project as solo marimbist, together with Taiko, shakuhachi, mezzo-soprano and Chinese drums!
https://www.onnaconcert.com/
With koninklijke harmonie schelle, under the baton of maestro Dirk De Caluwe
https://www.harmonieschelle.be/front/page/home
http://www.belgianmusicdays.be/program/
Wim Henderickx – Searching
Wilfried Westerlinck – From Far and Near
Jacqueline Fontyn – Controverse for bass clarinet and percussion
Bart Verstraeten – Tempus Fugit (World premiere)
With Ricardo Lievano Flores and Ilya Dynov, on drums, vibraphone and balafon
